Publications / Press


PUBLICATIONS

Animal Pharm, Chemical Bouquet, and Miracle Grow are featured in "The past, present, and future of Art, Science, and Technology Studies", Routledge Handbook of Art, Science and Technology Studies.

Thank you Hannah Star Rogers and Megan K. Halpern!

Routledge is the world's leading academic publisher of humanities, social science, and STEM books.


Exhibition catalog for Pesticide Pop, NOME Gallery, Berlin. February 9 - April 11, 2020. Curatorial essay by Vanina Saracino.


Catalog for Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures, Gregg Museum of Art & Design and NC State University Libraries, Raleigh, NC. The show includes a new site-specific Miracle Grow wallpaper intervention and Chemical Bouquet II.


Catalog for POSTCENTRAL exhibition at Nome Gallery, Berlin, featuring my Specimen series.


Commissioned by Topic Magazine as part of their Federal Project No. 2 series, Our Roots Run Deep examines how chemical companies curate their image and deliberately conceal their past.


Evidentiary Realism Collective Show catalog, NOME Gallery, Berlin. Curated by Paolo Cirio. Catalog essay by Mary Anne Redding. December 2 - February 17, 2018.


Catalog for 12 x 12, Southeastern Center for Contemporary Art, Winston-Salem, NC, 2018, featuring my Disarm series.


Exhibition Catalog for Proceed At Your Own Risk, NOME, Berlin. February, 2017. Catalog Essay by Mary Anne Redding, Curator.


Evidentiary Realism, Fridman Gallery, NYC. Curatorial text. Chemical Interventions, by Mary Anne Redding. February - March 2017.


Interview in We Make Money Not Art, March, 2017 discussing my exhibition Proceed At Your Own Risk, NOME Gallery


ITCH Magazine, Issue 18: "Character", November 2016

My de-identified series is featured in the Journal of Creative Expression of the School of Literature, Language and Media
at the University of the Witwatersrand, Johannesburg, South Africa.



PRESS

My collage The Grass Isn’t Always Greener featured in Harper’s Magazine, Monday Gallery, March 27, 2023.


Laksow, Sarah, “America’s Lost Crops Rewrite the History of Farming”, The Atlantic, October 1, 2022.

Commissioned collages for the Lost Crops article.


Big thanks to Cell Press for featuring Chemical Bouquet II in the October issue of One Earth journal. One Earth publishes significant original research that seeks to understand and address today's environmental grand challenges.


Review of Pesticide Pop, Nationen, April 2020, Nome Gallery, Berlin. Nationen is a Norwegian daily newspaper with a particular focus on agriculture and rural districts.


Review of Pesticide Pop, Berlin ArtLink, March 2020. Nome Gallery, Berlin.


Review of Pesticide Pop, SLEEK, Berlin, March 2020. Nome Gallery, Berlin.


Review of Pesticide Pop, taz kultur, Berlin, February 2020. Nome Gallery, Berlin.


My drawing VI-2, from the Virus Illumination series, 2013, appears in French monthly newspaper Le Monde diplomatique, illustrating an article written by @soniashahauthor. Sonia makes the case that exotic animals are not to blame for our growing vulnerability to pandemics and the coronavirus, but the accelerated destruction of habitats.


Stellar review of Unravel exhibition in Photograph magazine.


Faith, Hope and $5,000 in included in the Journal of Black Mountain College Studies Volume 9: Archives and History. Faith, Hope and $5,000 draws inspiration from mid-century poets interested in using words not solely to impose meaning, but as markers of space and visual imagery.


My piece FEED featured in Los Angeles Billboard Show, The Billboard Creative, Los Angeles, CA, 2018


Monsanto Intervention—Toxic Truth Seems Out of Old Ads, BMC Commons, June 2018.


Unmodified Vision, Carolina Home + Garden, December 2017, p. 56, 58, 60.


Interview, The Clark Hulings Fund, December 11, 2017


High Five: 5 Shows in the South Right Now, Burnaway, May 5, 2017


Interview in Identity XX Magazine, discussing my de-dentified collages, surveillance and Victorian women. April 2017.



Shraven, Hannah, “Berlin Art Grip”,  Gallerytalk.net, Berlin, Germany, February 14, 2017